Video Stills
Video Stills

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What I Have Lost I Shall Now Fix
What I Have Lost I Shall Now Fix

Projected Video, Raw Chicken, Needle & Thread, Self

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On Eggs And The Color Blue
On Eggs And The Color Blue

Projected Video, Eggs, Cobalt Blue Paint, Water, Self

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Video Stills
Video Stills

Vimeo Links Coming Soon

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1/5
RED SERIES
RED SERIES

A series of digital photographs using red gel sheets to distort images creating a surreal and almost visceral effect 2018

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RED SERIES
RED SERIES

A series of digital photographs using red gel sheets to distort images creating a surreal and almost visceral effect 2018

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1/6
WEIGHTED
WEIGHTED

An installation using cement, sand, rope, and glass. A piece about the weight of physical objects and the tension between fragility and stability. 2018

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WEIGHTED
WEIGHTED

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WEIGHTED
WEIGHTED

An installation using cement, sand, rope, and glass. A piece about the weight of physical objects and the tension between fragility and stability. 2018

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1/4
BRINK
BRINK

A series of black and white digital photos cut and sewn back together 2018

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BRINK
BRINK

A series of black and white digital photos cut and sewn back together 2018

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1/5
MEAT TIGHTS
MEAT TIGHTS

An installation using frozen meat stuffed into a pair of tights, hanging up left to defrost. Touching upon the abject and hyper-aggression. 2020 First Iteration

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MEAT TIGHTS
MEAT TIGHTS

An installation using frozen meat stuffed into a pair of tights, hanging up left to defrost. Touching upon the abject and hyper-aggression. 2020 First Iteration

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1/9
HEAR IT IN MY EARS, FEEL IT IN MY EVERYTHING
HEAR IT IN MY EARS, FEEL IT IN MY EVERYTHING

A performance piece where I wore hand pulled glass stringers as earrings. I proceeded to walk around a space in circles, as the glass dragged behind my body. The glass being pulled created an unpleasant sound not only for viewers, but in my ears as well. 2019

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HEAR IT IN MY EARS, FEEL IT IN MY EVERYTHING
HEAR IT IN MY EARS, FEEL IT IN MY EVERYTHING

A performance piece where I wore hand pulled glass stringers as earrings. I proceeded to walk around a space in circles, as the glass dragged behind my body. The glass being pulled created an unpleasant sound not only for viewers, but in my ears as well. 2019

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1/4
PRAGUE
PRAGUE

A series of photographs taken in the streets of Prague, Czech Republic. Intended to capture the facial expressions of the mundane, as well as the history relative to the individuals age. 2019

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PRAGUE
PRAGUE

A series of photographs taken in the streets of Prague, Czech Republic. Intended to capture the facial expressions of the mundane, as well as the history relative to the individuals age. 2019

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1/13
RED HOT
RED HOT

A neon installation with neon "burners" inserted into a deconstructed oven. The piece stands to be comical as well as a surreal and so to say, 'other worldly' sculpture. 2019

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RED HOT
RED HOT

A neon installation with neon "burners" inserted into a deconstructed oven. The piece stands to be comical as well as a surreal and so to say, 'other worldly' sculpture. 2019

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1/3
ESPY
ESPY

A projected installation where slow moving eyes look at and around the viewer. This includes distorted version as well a simplified version. 2019 First Iteration

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ESPY
ESPY

A projected installation where slow moving eyes look at and around the viewer. This includes distorted version as well a simplified version. 2019 First Iteration

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1/2
PROSAIC // PROZAC
PROSAIC // PROZAC

Excerpts from a 100 page photo-book exhibiting myself locked in one room with few props and a camera. It discusses insecurities, disability, as well as self-reflection. 2019 Available For Purchase

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PROSAIC // PROZAC
PROSAIC // PROZAC

Excerpts from a 100 page photo-book exhibiting myself locked in one room with few props and a camera. It discusses insecurities, disability, as well as self-reflection. 2019 Available For Purchase

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1/5